As aggressive as the music can become, it can be understood as the most serene sort of modern composition. How easy going is it to endless strum a single chord and find it again only an octave away? As easy as letting a candle burn.
In the same way minimal, distorted guitar music might be understood as unheroic, focusing on a mundane, sedentary object, like these candles, fits into Richter’s ouvre without too much force. In his painting of individual body parts or recreation of a photograph, out of focus, Richter isn’t just refusing to tell viewers what he intends verbally, he’s almost asking us to concoct a story to go along with his work. Is that stray mouth attached to his wife? Why is that dog so prominently figured in a paintings composition?
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